Dragonflies

Everything can change with a walk, or it will change, it was going to change, but it took a walk to make it happen.

There are no words to describe the humidity this morning, the weight of it hanging through the air, pressing through the sunlight. I felt it when I walked outside to put the dogs in the car and I decided that today would be an excellent day to take the riders on trail rides. The different between the heat in the riding ring and the temperature by the river can almost be measured by weight, ten degrees difference maybe fifteen, but it feels as if a heavy pressure had been lifted from our bodies. The horses walk differently, the riders talk more as we enter the cool shadows of the woods. After two years of drought, the 2010 spring has drenched us and started to correct the water tables, and the difference is seen in the thick underbrush, all the newly sprouted greenery that needs to be cut back so the horses can make their way through the paths.

I love the lush thickness of the woods, and I think the horses do too, the way their ears droop and their mouths are constantly reaching for grass and branches. Every week the girls at the barn come back with some treasure: tadpoles, flowers, sighting of baby snapping turtles and snakes.

I’d lost the past four months of my life as I set out with a student this morning into the woods behind the barn. I’d missed the blooming of the jasmine on my porch, a sight I’d marked my springs by for many years. I’d missed the bright green of the new leaves and I’d missed the way the daylight shifts into the growing season, slanting light across the landscape. I’d seen it all happen, of course, but I couldn’t find any joy in meet to greet spring properly, to acknowledge it.

Spring had happened to me like a sudden visitor, but this morning, eyeing the brambles growing along the path, I vowed to not miss the blackberries. Like all our trail rides, my fondest memories are of picking blackberries with students, walking beside their horses as they point out the choicest berries for me to pick. The horses like picking blackberries because it gives them long moments to stop with their hooves in the cool grass and take a nap.

But this morning, I walked beside Ayla and led a student into the woods, I was assaulted by memories of other summers and I’d be lying if I said those memories made me happy. I thought of better times and less grief and I remembered every angle, every photograph, I’d taken with my camera: the bend into the summer ring, now overtaken with weeds, the beaver pond where I’d waded for hours one July 4th, the company I’d once had with me on these walks. I remembered when the world at the barn hadn’t been different, changed. My student was quiet this morning and the green heat of the woods lulled us into another sort of silence, the quiet of reflection. The pony walked beside me and her hoof beats plodded in an offset rhythm to my own. We were together, me the pony and the student, but we were separate; each locked into our own worlds.

And then a dragonfly crossed our path.

We were following the sounds of the river and had just crossed over from the clearing, back into the woods. The dragonfly hovered in front of us, floating along with us, just beyond our reach.

“Why are they called dragonflies?” my student asked. She’d hardly said a word since we left the barn, but her tone was different, bolder, when she inquired about the dragonfly. The sound dragged me out of my thoughts.

“I don’t know,” I said, and realized I had to do better with an answer. “Their color, maybe?”

The dragonfly had long left us and we were nearing the bend that would lead us back up the hill to the barn. I continued without thinking, “Did you see how it was iridescent blue? All the dragons that we read about in stories are frightening and strange, but they’re also very beautiful with their colorful scales, if we look closely. Dragons change everything they touched, destroying things, burning things, but they always seem to serve a purpose with their frightening beauty. Without dragons, there wouldn’t be heroes and the stories would go nowhere.”

Everything I said was completely made up at the spur of the moment, but I couldn’t get the image of the dragonfly out of my head as I continued teaching and eventually closed up the barn for the evening.  And I realized that everything I said was true.   I thought about my old barn, how huge swarms of dragonflies used to hover above the ring as I taught. I wondered what the symbol of the dragonfly meant throughout history, how it got its name.

According to the internet (and we all know that Google is the seat of all knowledge), the meaning of the dragonfly changes from culture to culture, but I loved the description I found on this site:

The main symbolisms of the dragonfly are renewal, positive force and the power of life in general. Dragonflies can also be a symbol of the sense of self that comes with maturity. Also, as a creature of the wind, the dragonfly frequently represents change. And as a dragonfly lives a short life, it knows it must live its life to the fullest with the short time it has – which is a lesson for all of us.

There has been so much death and change and grief in my life these past four months – all these meanings speak to me, where I am now, finding comfort in the horses and the woods. Information comes to us just when we need it.

And the dragonfly is often paired with horses in folklore. Legend has it that an Emperor of Japan named the country “Akitsushima” (literally Isle of the Dragonfly) after he was bitten by a horse fly which was in turn eaten by a dragonfly. Lithuanian, Romanian and Dutch folklore create an image of a creature that was once a horse, or one that is known for biting horses – though the dragonfly cannot bite and its use in controlling true pests like mosquitoes is without compare.

Like change itself, the dragonfly has been viewed with hope and mistrust. But as I emerged the woods today with the dragonfly present in my thoughts, something in me shifted and I looked out over the paddocks and the rings and the barn and I knew that Bramblewood is a unique community filled with some of the most creative people I have ever met. We cannot stop change and time and inevitability, but we can certainly change the way we approach these things.

With the dragonfly as our symbol, join me was we expand this barn into a place of learning and safety, not just for the horses, but for all of us. Horses allow us to be present, and the more they demand of us in the now, the more we can see ourselves, our situations, for what they truly are. Horses teach us, through their strength, that we are often more capable than we give ourselves credit for. Sometimes these lessons come to us as we walk beside the horses in the woods, sometimes we learn things over a jump, but more often these lessons come to us slowly – the more we forget about ourselves and listen instead to what the horse needs.

I have not, however, found any significant meaning for all the ticks in the woods. Goodness, they’re out in great number this year.

We have two unique workshops scheduled for July. Both of these four-hour sessions are structured for riders and non-horsey people. The first will be a journaling workshop taught by me where we use the presence of horses to explore the themes of grief and loss. The following will be led by Ramie Nunally, a visual artist and lifelong horsewoman from Tennessee. In this workshop participants will be using both traditional and non-traditional media to construct an amazing piece of visual art chronicling their experience with horses and their time at Bramblewood. I hope to see some of you at these sessions!

Now go enjoy the spring before we all wilt.

Summer

Hello!  I have two months of serendipity to relate, and I’ll get on that as the week progresses, but until then, let me give you the dates for summer camp this year.  Erika and I have made the executive decision to keep lessons going in the late afternoon and evening  . . . because it’s remarkably cooler without direct sunlight and there’s some shade in the ring.  Also, there won’t be a mad dash to merge summer lessons with autumn once school is back in session.  Cooler lessons and no waiting lists are the order of the day.

Weeks to take note of are the creative writing camps because we had great success with these over the winter break and something magical happened when all the students were spending time with their horses and journals.

I’ve been reading Horse Boy, and there’s nothing about it that I don’t agree with, and we have had some riders score amazing marks at shows the past few months.  I’ll post updates soon.

So, without further ado, here are the dates for summer:

Summer Camps at Bramblewood
(all sessions run from 10am to 1:30pm, cost per session $180).

June 8-11: School’s out fun camp for all riders.
June 15-18: Introduction to Riding Camp
June 22-25: Creative Writing/Riding Workshop
July 6-9: Fun Camp for all Riders
July 13-16: Introduction to Riding Camp
July 20-23: Creative Writing/Riding Camp
August 3-6: Fun Camp for all Riders
August 10-13: Introduction to Riding Camp

One-Day Workshops
 (1:00-4:00, $50)

June 13: Creative Writing/Riding Workshop
July 18: Creative Writing/Riding Workshop

Spring, Istanbul and SCARE

Hey everyone, guess what?  It’s not snowing.

I even heard some birds this morning.  This is marvelous!

I wanted to get the word out about two things.  The first is all business and the second is really important.

1. Mihran and I will be in Istanbul from February 28th through March 14th.  During that time, Erika will be running the show.  I’ll have her contact information listed on my cell message but I will be checking my email daily while we’re gone.  We should have a chance to arrange things with everyone personally this week, but lessons will be running as usual while we’re gone and we’d really love for you to show up and ride with Erika.  In the past many riders have chosen to take a vacation along with us, but anyone who has spent time around the barn knows Erika is brilliant (as I always say, her resume is better than mine), and we’d love it for you to keep on showing up for your weekly lesson or choose to take a practice ride during that time.  I know Mihran’s talking to everyone whose horse is in full training, so adjustments will be made for March.  If you have any questions, just find me from now until Saturday.

2. This is the most important part:
As many of you know, Rachel Lecture, a long-time Bramblewood student and recent graduate of Virginia Intermont is now a local horse professional.  Her work with the non-profit horse rescue SCARE has a long history, and her involvement with SCARE is a testament to the life of her friend Katie who passed away suddenly two years ago.  The economy effected everyone this year, but non-profits were hit the hardest and SCARE is now facing losing the lease on their current facility and no money in the coffers to keep the program running until the 14 horses currently housed there can find new homes.  Rachel is taking one of the foals, named after her dear friend Katie, but she’s also conducting a massive fundraising campaign on facebook and by email to get the donations floating into SCARE so there’s money for feed and maintenance until all the rescues are placed.

I’ll quote Rachel here because she says it best: 

Even if everyone could donate just $10, it would make a world of difference to SCARE.  $10 is a bag of feed or a bale of hay.  Obviously donating more than that helps them even more.  After posting on Facebook I found that many of my friends reached into their hearts and wallets and chipped in a couple of bucks and after one day, SCARE contacted us telling us that our efforts were working.  I decided to send out this email to everyone in my address book hoping to help this situation more.  I know that these are tight times (boy do I know, now that I’m going to be a mother of two! [Kim’s note: that would be horses, not humans, so no frantic emails please]) but that is why I would appreciate so much more the extra help from my family and friends.  This means a lot to me personally, means a lot to SCARE, and means a lot to some horses who have had it rough.  Donations can be made online at www.scequinerescue.org with a credit card or PayPal account.  Also, please pass this message on to anybody you might know who could help.  And any horse people who get this, all of these horses need homes as well so if you know anybody who could help in that way, spread the word!

This is one way we can all give back, even if it’s a tiny amount, to the horses we love and spend our lives with.  I’ll be updating from Istanbul whenever I get the chance and I hope you’re all out enjoying these first gorgeous signs of spring.

Holiday Horse Camps

 Bramblewood Holiday Horse Camps 2009

 

Week one: Horse Camp
An introduction to horsemanship and riding for riders of all ages
December 22-24 – 10 am to 1pm daily
Cost: $135, refreshments and helmets provided.
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 Week Two: Writing and Riding Seminar:
Open to Riders of All Ages!
This super fun three-day seminar will introduce riders to the joys of writing.  Write a poem, write a story, write a play, or start a daily journal!  In this unique workshop, riders will have the chance to broaden their horsemanship while capturing their experience through words. Writers will be given the chance to showcase their work at the end of the week.  Limited registration.
December 29-31 – 10am to 2pm daily
Cost: $150, refreshments and pens/paper provided.

Contact Kim for more details: bramblewoodstables@gmail.com or 864-363-3727

Haircuts, Posters and Magazine Articles

Newflash: Mihran cut all his hair off.  Just warning everyone before they stumble down the drive and think we hired a new instructor.

We’ve had even more exciting things happen this week:

Bramblewood was featured in a poster of Tryon horse country farm signs.  This three poster series is a lovely representation of the rich equestrian culture in our back yard.   Find Bramblewood here (hint: there was snow! when I took the shot):

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And then go order a copy for your wall by contacting Libbie Johnson at Tryon Horse Country:  Posters are 18”x24”, $20 each ($55 for the series) and for a limited time the Green River Gallery in Tryon is offering a framing special at $29.99 (regularly $79.99) for this series only.

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Bramblewood made European news this month! 

A lot of you might remember Mihran’s friend Hakan Alkan who visited this summer.  He and Mihran spent several days exploring Tryon and Landrum and when Hakan returned to Istanbul, he wrote an article for At Dünyası featuring Bramblewood in a full-page spread. At Dünyası is the Chronicle of the Horse for Istanbul and we were supremely honored to have the farm, and the local equestrian venues, showcased. 

I can’t make Mihran sit still long enough to help me translate the article, but one interesting note is Hakan’s excitement about Bramblewood’s turn out, which he calls green space.  Now, we all know there’s not anything green about our paddocks, which has been a good thing overall because the diets are micro managed and we’ve had an eighty percent reduction in colics since moving into the facility four years ago, but . . . the limited turn out we do offer is like grazing land in the American west to our Turkish visitors who are accustomed to the inner-city horse clubs in Istanbul, where they might hold FEI competition on a regular basis, but turn-out is a hand walk by a groom several times a day.

Here is the cover of the issue and a scan of the article:

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Horses are like autumn

I’m switching hosting on the Bramblewood and Kindred Spirits sites this week, so they both may be down for a while as I figure this madness out.  Change is good.  When the new sites are up and running, let me know if you encounter any broken links.

I’ve been also going through all the stacks of books in the house, deciding which ones I can’t live without (no, I don’t need four copies of Boccaccio’s The Decameron, I really don’t — do I?), which ones are suitable for Laura’s classroom, and which ones are ready for drop off to the Greenville Literacy Association for their yearly sale.  In this process of this major cleaning, I discovered articles I’d forgotten about, most of them from the years I was writing full time before decided that, yes, it is better to clean twenty stalls and teach riding lessons in the middle of August than it is to write restaurant reviews.   

When I first started teaching people how to ride horses, one of the boarders at the farm I was stationed at told me that I should be prepared for the changes that would come from trying to scratch a living from doing what I loved.  I listened to her with half an ear because too many things were changing too quickly. I had gone from managing a gallery, working at the Greenville Museum, and selling stories to every weekly paper that would have me to, well, cleaning stalls. 

I bought Max.  What was I thinking?

Horses had always been the thing that got me through tough times, the barn had been my second home since I was nine and the smell of it, the immediacy of it, the routine of it, were the tools that sanded down all the sharp edges of my life.  I couldn’t imagine anything better than making a living with horses.  I still can’t imagine anything better than — making’s not the best word — carving, that’s better: carving a life with horses, because horses force us to be present, to react, to experience; they force us to acknowledge transience, teach us acceptance and how to recognize our fears.  Worst and best of all, they force us, in the most gentle way, to accept change, to know that everything has a time and a place.

Horses have been very good to me this past decade, but re-discovering all my published articles this weekend reminded me of my other half.  If horses are my ego, writing is my id.  Yin/Yang: a balance. 

The days are growing shorter and the nights are cool, and horses seem made for autumn.  There are many people at the barn who don’t know me as a rider, but they hear me talking about writing a lot, conversely there are a lot of people who knew me as a rider who didn’t know I was a writer.  Passions are cyclical, like the seasons, and they change, inevitably, like the weather and the sunlight; the key is paying attention to where your love is leading you, feeding it when it needs to be fed and recognizing when a cycle has come to an end — to not be afraid to try something new, or to experience something old from a different angle.

I’m hoping to scan some of these old articles and turn them into pdf’s so we can all laugh at how much life has changed in ten years.  My pièce de résistance is a feature story on people who took on some major life change for the end of the world that was nearing in December 1999.  My grandfather, one of the most pragmatic, savvy businessmen I have ever known, bought a farm, learned how to can vegetables and stocked his house with survival gear.  He also bought a lot of gold.  I looked at his face in the photos that accompanied the story and I realized that no one is exempt from the paralysis of fear.  It’s easy to escape from the world; it’s harder to be embrace it, own it, be present.

So I’ll keep writing, and I’ll continue to listen to what the horses say, and I’ll press my nose to Max’s neck, and I’ll bite his ear (and he’ll try to bite me back) and I’ll think about all the characters, two footed and four, who walk through the barn each day.  I’ll try my best to be a better listener because — this is the thing that horses teach me every day — not all voices have sound, and if I just use my ears,  I might never hear them.

Turkish video from The Stray Animal Foundation

This beautifully made video was produced in Istanbul.  Watch it once to cry, watch it again to have hope, watch it a third time to remember to share good deeds, and watch it a fourth time to see the Istanbul streets that I know and love.  I cannot stop photographing the Istanbul street dogs, every face is a story — and the pounds in Turkey keep on top of the stray populations with a very unique and successful approach: they spay/neuter and then release the dogs to live in packs within the city proper.  The dogs are so well adapted to city life that they learn early on how to cross the streets safely (an art I haven’t quite mastered) and how to find a friendly face.

Mihran’s Instructional Whip Switching Video

Last week I had a conversation with a very dear friend and artist who explained that she never learned to switch a long whip in the proper dressage manner.  As a lifelong hunter rider, I can truly commiserate — my first lesson with Mihran involved me smacking myself in the face repeatedly as Max stood patiently underneath me (there was also some accidental smacking of withers) and Mihran shaking his head.  So, when I caught Mihran out in the ring riding the Kosa’s gorgeous Cole this week, I took advantage of the moment to film a short video.

May I present: Whip Switching with Mihran (and Kim’s three second attention span).  With many thanks to Cole and all the assorted extras.

Show and tell or tell and show

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photo by Laura Paradis

McAfee antivirus products and I have been having a show down for two days now. The program suddenly, suspiciously loses files and the registry becomes corrupted, forgive my lousy technical speak. After four hours of fiddling I was able to remove all traces of the program (only because a tech had accidentally downloaded the removal product during the last McAfee two day event). I’m now running a 30 day trial of Kaspersky. If anyone uses this and loves it or hates it, please let me know before I purchase the whole deal. So far I’ve noticed that it runs faster, locates more malware and is less intrusive than McAfee.

Now that I have that out of my system, let’s talk about horses.

This past weekend was delightful for many reasons. I’ve touched on the highlights in the News and Shows sections of the Bramblewood website, but so much happened away from the farm for students who traveled to the USPC Tetrathlon Rally in Greensboro, NC AND the Foothills Riding Club Dressage and Schooling Stadium Show at FENCE in Tryon, NC that I didn’t have the room to go into all the juicy details. Continue reading